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Yoshitora / Gohyaku Rakan, A New Selection of Famous Places in Edo
SKU： C23106-14-4
Tag:
Animal
Price
¥51,000
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作品
年代 : 安政2年
サイズ : 大判
刷 : 良
保存 : 良
詳細 : 綴穴 / 少汚れ
ディレクターコメント
芳虎による江戸名所シリーズ。生き生きと田植えに励む農民の日常の姿が描かれており、大衆に開かれた浮世絵らしい作品だ。
芳虎は国芳の門人で、幕末から開化期にかけて活躍した絵師の一人である。明治元年には錦絵師番付で貞秀に次いで第2位となり、トップクラスの人気があったことを物語っている。芳虎が最も活躍したのは明治維新前後の目新しい風俗を描いた横浜絵や開化絵の分野で、相当数の作品を残している。当時の多くの日本人にとっては未知の外国風景も描いた。
作品ページの見方とご購入ガイド
Information
Date : 1855
Size : O-ban
Impression : Good
Condition : Good
Detail : Binding holes / Slight browning
This is the series that depicts famous places of Edo by Yoshitora. This artwork depicts the daily lives of farmers actively engaged in rice planting and is typical of Ukiyo-e works that were open to ordinary people.
Yoshitora was one of the pupils of Kuniyoshi and was active from the end of the Edo era to the Meiji era. In 1968, he became the second artist in the Ukiyo-e artist ranking, which tells us that he was known in the Ukiyo-e field.
He was primarily known for his artwork depicting the new culture from overseas and the scenery of Yokohama, which thrived as an international town. In the era, general citizens had never seen Western cultures, architecture from foreign countries, and fashions, so that people could know it from Ukiyo-es.
Shopping Guide & Information
Please double-tap on the image to zoom up images.
作品
年代 : 安政2年
サイズ : 大判
刷 : 良
保存 : 良
詳細 : 綴穴 / 少汚れ
ディレクターコメント
芳虎による江戸名所シリーズ。生き生きと田植えに励む農民の日常の姿が描かれており、大衆に開かれた浮世絵らしい作品だ。
芳虎は国芳の門人で、幕末から開化期にかけて活躍した絵師の一人である。明治元年には錦絵師番付で貞秀に次いで第2位となり、トップクラスの人気があったことを物語っている。芳虎が最も活躍したのは明治維新前後の目新しい風俗を描いた横浜絵や開化絵の分野で、相当数の作品を残している。当時の多くの日本人にとっては未知の外国風景も描いた。
作品ページの見方とご購入ガイド
Information
Date : 1855
Size : O-ban
Impression : Good
Condition : Good
Detail : Binding holes / Slight browning
This is the series that depicts famous places of Edo by Yoshitora. This artwork depicts the daily lives of farmers actively engaged in rice planting and is typical of Ukiyo-e works that were open to ordinary people.
Yoshitora was one of the pupils of Kuniyoshi and was active from the end of the Edo era to the Meiji era. In 1968, he became the second artist in the Ukiyo-e artist ranking, which tells us that he was known in the Ukiyo-e field.
He was primarily known for his artwork depicting the new culture from overseas and the scenery of Yokohama, which thrived as an international town. In the era, general citizens had never seen Western cultures, architecture from foreign countries, and fashions, so that people could know it from Ukiyo-es.
Shopping Guide & Information
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