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Yoshitora / Takeda Inashiro Katsuyori
SKU： C29087-3d-1
Price
¥100,000
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作品
年代 : 天保14 - 弘化4年
サイズ : 大判3枚続
刷 : 良
保存 : 良
詳細 : -
ディレクターコメント
激しい戦いを描いたこの１枚は、武田勝頼による「膳城素肌攻め」を描いたもの。素肌攻めという名の通り、画面中央の勝頼は鎧を着ていない。平服で偵察に来ていた勝頼であったが、酒に酔って喧嘩をしていた膳城の城兵が武田軍に襲いかかって来たところに反撃し、落城させたと言われている。
画面上に描かれた特徴的な直線は火縄銃と大砲の軌跡をユニークにとらえたもの。
芳虎は国芳の門人で、幕末から文明開化期にかけて活躍した絵師の一人である。芳虎が最も活躍したのは明治維新前後の目新しい風俗を描いた横浜絵や開化絵の分野で、当時の多くの日本人にとっては未知の外国風景など多くの作品を残した。
作品ページの見方とご購入ガイド
Information
Date : 1843 - 47
Size : O-ban / Triptych
Impression : Good
Condition : Good
Detail : -
This artwork is the depiction of the attack against Zenjo Castle by Takeda Katsuyori.
This attack was named "Bare Skin Attack Against Zenjo, and we can see the origin of the battle name from Katsuyori's clothes.
When he visited this castle for the reconnaissance with wearing his normal wear, the drank warriors in the castle attacked the Army of Katsuyori, and it was a trigger of this battle. He didn't wear the armor.
The unique brown lines crossing through the artwork are the trajectories of the matchlocks and cannons.
Yoshitora was a disciple of Kuniyoshi and one of the prominent artists active from the late Edo period to the early Meiji period. His most notable works were in the genre of Yokohama-e and Kaika-e, depicting the novel customs emerging around the time of the Meiji Restoration. He left behind numerous works featuring unfamiliar foreign landscapes, which intrigued many Japanese of that era.
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Please double-tap on the image to zoom up images.
作品
年代 : 天保14 - 弘化4年
サイズ : 大判3枚続
刷 : 良
保存 : 良
詳細 : -
ディレクターコメント
激しい戦いを描いたこの１枚は、武田勝頼による「膳城素肌攻め」を描いたもの。素肌攻めという名の通り、画面中央の勝頼は鎧を着ていない。平服で偵察に来ていた勝頼であったが、酒に酔って喧嘩をしていた膳城の城兵が武田軍に襲いかかって来たところに反撃し、落城させたと言われている。
画面上に描かれた特徴的な直線は火縄銃と大砲の軌跡をユニークにとらえたもの。
芳虎は国芳の門人で、幕末から文明開化期にかけて活躍した絵師の一人である。芳虎が最も活躍したのは明治維新前後の目新しい風俗を描いた横浜絵や開化絵の分野で、当時の多くの日本人にとっては未知の外国風景など多くの作品を残した。
作品ページの見方とご購入ガイド
Information
Date : 1843 - 47
Size : O-ban / Triptych
Impression : Good
Condition : Good
Detail : -
This artwork is the depiction of the attack against Zenjo Castle by Takeda Katsuyori.
This attack was named "Bare Skin Attack Against Zenjo, and we can see the origin of the battle name from Katsuyori's clothes.
When he visited this castle for the reconnaissance with wearing his normal wear, the drank warriors in the castle attacked the Army of Katsuyori, and it was a trigger of this battle. He didn't wear the armor.
The unique brown lines crossing through the artwork are the trajectories of the matchlocks and cannons.
Yoshitora was a disciple of Kuniyoshi and one of the prominent artists active from the late Edo period to the early Meiji period. His most notable works were in the genre of Yokohama-e and Kaika-e, depicting the novel customs emerging around the time of the Meiji Restoration. He left behind numerous works featuring unfamiliar foreign landscapes, which intrigued many Japanese of that era.
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