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Yoshitoyo / Tadatune Crawling into the Cave of Mt. Fuji
SKU： C30090-3d-1
スマートフォンのお客様は画像上でダブルタップすると拡大画像をご覧いただけます。
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作品
年代 : 文久2年
サイズ : 大判3枚続
刷 : 良
保存 : 良
詳細 : 小虫穴
ディレクターコメント
芳豊ははじめは国貞に絵を学んでいたが、国貞のもとを出奔し国芳の門に入る。ちょうど国貞が豊国を名乗った時だったので、わざと芳豊の名を与えたという。作画期は安政から慶応にかけての頃で、幕末には武者絵のほか、はしか絵や凧絵を得意とし横浜絵も描く。
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Information
Date: 1862
Size: O-ban / Triptych
Impression: Good
Condition: Good
Detail: Small wormholes
Yoshitoyo first studied painting under Kunisada, but later left his studio and entered the school of Kuniyoshi. This happened at the very time when Kunisada adopted the name Toyokuni, and it is said that Kuniyoshi deliberately bestowed the name Yoshitoyo on him in response.
Yoshitoyo’s period of activity spans roughly from the Ansei era to the Keiō era. In the final years of the Edo period, he was particularly skilled in warrior prints, as well as measles prints and kite pictures, and he also produced Yokohama-e depicting foreign subjects.
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Cell phone users can view enlarged images by double-tapping on the image.
作品
年代 : 文久2年
サイズ : 大判3枚続
刷 : 良
保存 : 良
詳細 : 小虫穴
ディレクターコメント
芳豊ははじめは国貞に絵を学んでいたが、国貞のもとを出奔し国芳の門に入る。ちょうど国貞が豊国を名乗った時だったので、わざと芳豊の名を与えたという。作画期は安政から慶応にかけての頃で、幕末には武者絵のほか、はしか絵や凧絵を得意とし横浜絵も描く。
作品ページの見方とご購入ガイド
Information
Date: 1862
Size: O-ban / Triptych
Impression: Good
Condition: Good
Detail: Small wormholes
Yoshitoyo first studied painting under Kunisada, but later left his studio and entered the school of Kuniyoshi. This happened at the very time when Kunisada adopted the name Toyokuni, and it is said that Kuniyoshi deliberately bestowed the name Yoshitoyo on him in response.
Yoshitoyo’s period of activity spans roughly from the Ansei era to the Keiō era. In the final years of the Edo period, he was particularly skilled in warrior prints, as well as measles prints and kite pictures, and he also produced Yokohama-e depicting foreign subjects.
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