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国芳 / 川中嶋大合戦

SKU: C23064
タグ: 夜景   富士山  
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作品
年代 : 安政元年
サイズ : 大判3枚続
刷 : 良
保存 : 優良
詳細 : マージンに少汚れ / マージンに小虫穴

ディレクターコメント
山本勘助は、意外にも醜男であったといい伝わる。隻眼であったり、手足も不自由であるなどハンデを抱えていたが、諸国を巡り、兵法・剣法に通じていた。
川中島の合戦では、兵を分けて上杉軍を奇襲する作戦を進言するも、敵に見破られ、窮地に陥る。この危機に際して、死を決した勘助は、敵軍に突撃して獅子奮迅の働きを行い、ついに最後は打ち取られた。

国芳は豊国の門人で、当初は兄弟子の国貞等の人気に勝てず、しばらくは不遇であった。文政頃に発表した「通俗水滸伝豪傑百八人」の連作が評判となり、「武者絵の国芳」と称され、人気絵師の仲間入りを果たした。その後は画想の豊かさ、斬新なデザイン力、奇想天外なアイデア、確実なデッサン力を持ち、浮世絵の枠にとどまらない広範な魅力を持つ作品を多数生み出した。

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Information
Date : 1854
Size : O-ban / Triptych
Impression : Good
Condition : Very good
Detail : Slight browning on margin / Small wormholes on margin

Yamamoto Kansuke was said to have been a surprisingly ugly man. Although he was blind with only one eye and physically handicapped, he had traveled around Japan and was well versed in the art of war and swordsmanship.
In the Battle of Kawanakajima, he proposed a plan to make a surprise attack on Uesugi's army by dividing his troops, but the enemy discovered his plan and he got into a scrape. In this crisis, Kansuke, determined to die, attacked the enemy army and fought intensely forceful, finally being vanquished.

Kuniyoshi was a pupil of Toyokuni, and for a while, he was unpopular because he could not compete with the popularity of his brother Kunisada and others. Around the time of the Bunsei era (1868-1912), he published a series of works entitled "Tsugoku Suikoden Gouketsu Hyakunin (One Hundred and Eight Australians)," which were well received, and he became known as the "Kuniyoshi of samurai paintings" and became a popular painter. After that, he produced many works with a wide range of appeal that went beyond the framework of ukiyoe, thanks to his richness of imagination, innovative designs, unconventional ideas, and reliable drawing skills.

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