国貞 / 時聖代民の賑ひ 士農工商 揃
SKU： C25037
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作品
年代 : 天保14年
サイズ : 大判
刷 : 良
保存 : 良
詳細 : 端折 / 少汚れ / 綴穴補修
ディレクターコメント
こちらは江戸時代の職業を表す「士農工商」にそれぞれ美人を組み合わせたシリーズ4点の揃い。
それぞれの仕事をこなす女達が生き生きと描かれている。
江戸時代の階級制度は、長らくピラミッド型の「士農工商」であると考えられて来たが、その後の研究によって「農工商」には序列が無く、単なる職業の種類であったことがわかっている。
国貞は豊国の門下で浮世絵師随一とも言われる数万点の作品を残し、国芳や広重を押さえて当時人気を誇った浮世絵師である。
22歳で浮世絵界にデビューしてから79歳で亡くなるまで、歌舞伎や吉原、当時の文化風俗など、まさに「江戸文化の全て」を描き切り、浮世絵界のトップランナーとして走り続けた大御所中の大御所といえる。
作品ページの見方とご購入ガイド
Information
Date : 1843
Size : O-ban
Impression : Good
Condition : Good
Detail : Side fold / Slight browning / Restored binding holes
This is a series of four pieces combining beauties from each of the "samurai, farmers, artisans, and merchants," which represent occupations in the Edo period.
The women performing their respective jobs are vividly depicted.
It was believed that society in the Edo period was based on a hierarchy of "samurai, farmers, artisans, and merchants," but later research has shown that there was equality among "farmers, artisans, and merchants. It seems that they were simply types of occupations.
Kunisada (1786-1865), also known as Toyokuni III, was the most popular, prolific, and commercially successful artist of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige, and Kuniyoshi.
From his debut in the Ukiyo-e world at the age of 22 until his death at 79, Kunisada depicted "All aspects of Edo culture," including Kabuki, Yoshiwara, and the culture and customs of the time, making him one of the most influential Ukiyo-e artists of all time.
Shopping Guide & Information of the Japanese Prints
Please double-tap on the image to zoom up images.
作品
年代 : 天保14年
サイズ : 大判
刷 : 良
保存 : 良
詳細 : 端折 / 少汚れ / 綴穴補修
ディレクターコメント
こちらは江戸時代の職業を表す「士農工商」にそれぞれ美人を組み合わせたシリーズ4点の揃い。
それぞれの仕事をこなす女達が生き生きと描かれている。
江戸時代の階級制度は、長らくピラミッド型の「士農工商」であると考えられて来たが、その後の研究によって「農工商」には序列が無く、単なる職業の種類であったことがわかっている。
国貞は豊国の門下で浮世絵師随一とも言われる数万点の作品を残し、国芳や広重を押さえて当時人気を誇った浮世絵師である。
22歳で浮世絵界にデビューしてから79歳で亡くなるまで、歌舞伎や吉原、当時の文化風俗など、まさに「江戸文化の全て」を描き切り、浮世絵界のトップランナーとして走り続けた大御所中の大御所といえる。
作品ページの見方とご購入ガイド
Information
Date : 1843
Size : O-ban
Impression : Good
Condition : Good
Detail : Side fold / Slight browning / Restored binding holes
This is a series of four pieces combining beauties from each of the "samurai, farmers, artisans, and merchants," which represent occupations in the Edo period.
The women performing their respective jobs are vividly depicted.
It was believed that society in the Edo period was based on a hierarchy of "samurai, farmers, artisans, and merchants," but later research has shown that there was equality among "farmers, artisans, and merchants. It seems that they were simply types of occupations.
Kunisada (1786-1865), also known as Toyokuni III, was the most popular, prolific, and commercially successful artist of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige, and Kuniyoshi.
From his debut in the Ukiyo-e world at the age of 22 until his death at 79, Kunisada depicted "All aspects of Edo culture," including Kabuki, Yoshiwara, and the culture and customs of the time, making him one of the most influential Ukiyo-e artists of all time.
Shopping Guide & Information of the Japanese Prints
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