広重 / 東海道五十三次（保永堂） 舞坂
SKU： C27011
タグ：
富士山
価格
¥360,000
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作品
年代 : 天保4年頃
サイズ : 大判
刷 : 良
保存 : 良
詳細 : 少書込 / 極小虫穴
ディレクターコメント
沿岸にあった浜名湖は、明応6年（1497年）に起きた地震によって、海と湖の境界を失い、入海となった。手前に描かれた杭は、元禄年中に津波を伴う地震がおこったために整備された波除杭で、右側に描かれた松の群生する土坡とともにこの土地の特徴を写している。一見気付かないような所に白く抜かれた富士の見せ方も小粋である。
東海道五十三次は、保永堂によって出版された広重の作品を代表するシリーズである。
作品ページの見方とご購入ガイド
Information
Date : c. 1833
Size : O-ban
Impression : Good
Condition : Good
Detail : Small notations / Very small wormholes
Hamana-Ko Lake, located along the coast, lost its boundary between the sea and the lake due to an earthquake in Meio 6 (1497), becoming open to the sea. The stakes depicted in the foreground are coastal protection installed during the Genroku era to protect against earthquakes accompanied by tsunamis. The group of pine trees on the right slope together with these stakes reflect the characteristics of this area.
The subtle depiction of Mount Fuji subtly highlighted in white in a place that might not be immediately noticed is quite elegant.
(Reference: Hiroshige's "The Fifty-three Stations of the Tokaido", Hoei-do, published by Iwanami Shoten.)
The Fifty-three Stations of the Tokaido is the most representative series of Hiroshige's works, published by Hoei-do.
At the time, Hoei-do was still a new publisher, actively adopting new expressions and full of energy. Perhaps inspired by this, Hiroshige also worked enthusiastically on the series and created rich works based on his experiences.
Hiroshige was born in 1776, the son of Ando Genemon, a fireman on the Yashirosu river bank in Edo. He loved painting from an early age and became a student of Utagawa Toyohiro at the age of 15. At first, Hiroshige painted beauties and portraits of actors. He became famous as a popular painter by creating numerous landscapes, starting with his "Famous Places of the Eastern Capital" series.
Please double-tap on the image to zoom up images.
作品
年代 : 天保4年頃
サイズ : 大判
刷 : 良
保存 : 良
詳細 : 少書込 / 極小虫穴
ディレクターコメント
沿岸にあった浜名湖は、明応6年（1497年）に起きた地震によって、海と湖の境界を失い、入海となった。手前に描かれた杭は、元禄年中に津波を伴う地震がおこったために整備された波除杭で、右側に描かれた松の群生する土坡とともにこの土地の特徴を写している。一見気付かないような所に白く抜かれた富士の見せ方も小粋である。
東海道五十三次は、保永堂によって出版された広重の作品を代表するシリーズである。
作品ページの見方とご購入ガイド
Information
Date : c. 1833
Size : O-ban
Impression : Good
Condition : Good
Detail : Small notations / Very small wormholes
Hamana-Ko Lake, located along the coast, lost its boundary between the sea and the lake due to an earthquake in Meio 6 (1497), becoming open to the sea. The stakes depicted in the foreground are coastal protection installed during the Genroku era to protect against earthquakes accompanied by tsunamis. The group of pine trees on the right slope together with these stakes reflect the characteristics of this area.
The subtle depiction of Mount Fuji subtly highlighted in white in a place that might not be immediately noticed is quite elegant.
(Reference: Hiroshige's "The Fifty-three Stations of the Tokaido", Hoei-do, published by Iwanami Shoten.)
The Fifty-three Stations of the Tokaido is the most representative series of Hiroshige's works, published by Hoei-do.
At the time, Hoei-do was still a new publisher, actively adopting new expressions and full of energy. Perhaps inspired by this, Hiroshige also worked enthusiastically on the series and created rich works based on his experiences.
Hiroshige was born in 1776, the son of Ando Genemon, a fireman on the Yashirosu river bank in Edo. He loved painting from an early age and became a student of Utagawa Toyohiro at the age of 15. At first, Hiroshige painted beauties and portraits of actors. He became famous as a popular painter by creating numerous landscapes, starting with his "Famous Places of the Eastern Capital" series.
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